tak pri tom se mi ted naopak pracuje skvele
Co právě teď posloucháš??
Moderátor: bery
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FleetingGlimpse
- piper
- Příspěvky: 489
- Registrován: 21.08.2005 21:59:10
- Bydliště: Trutnov
- Kontaktovat uživatele:
Dobrá volba! Beznadějně rozprodaný zvukově i provedením povedený CD remaster byl nedávno vydán znovu a se směšnou cenou. Kdo ještě nemá jedno z nejzásadnějších alb české hudby může koupit třeba zde: http://www1.vltava.cz/store/GoodsDetail ... SE01396244eclipse píše:Flamengo - Kuře v hodinkách
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FleetingGlimpse
- piper
- Příspěvky: 489
- Registrován: 21.08.2005 21:59:10
- Bydliště: Trutnov
- Kontaktovat uživatele:
A muzu se zeptat, tohle, na co jsi poslal odkaz, je ten zminovany remaster?Dave píše:Dobrá volba! Beznadějně rozprodaný zvukově i provedením povedený CD remaster byl nedávno vydán znovu a se směšnou cenou. Kdo ještě nemá jedno z nejzásadnějších alb české hudby může koupit třeba zde: http://www1.vltava.cz/store/GoodsDetail ... SE01396244eclipse píše:Flamengo - Kuře v hodinkách
The sun is the same in a relative way but you're older,
shorter of breath and one day closer to death
shorter of breath and one day closer to death
Asi jo, já mám ten původní a ten už nekoupíš. Tohle je nejspíš ten čerstvý dolis.FleetingGlimpse píše:A muzu se zeptat, tohle, na co jsi poslal odkaz, je ten zminovany remaster?Dave píše:Dobrá volba! Beznadějně rozprodaný zvukově i provedením povedený CD remaster byl nedávno vydán znovu a se směšnou cenou. Kdo ještě nemá jedno z nejzásadnějších alb české hudby může koupit třeba zde: http://www1.vltava.cz/store/GoodsDetail ... SE01396244eclipse píše:Flamengo - Kuře v hodinkách
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Fredy_Brown
- raver
- Příspěvky: 93
- Registrován: 21.02.2007 14:49:08
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FleetingGlimpse
- piper
- Příspěvky: 489
- Registrován: 21.08.2005 21:59:10
- Bydliště: Trutnov
- Kontaktovat uživatele:
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proti
- piper
- Příspěvky: 1985
- Registrován: 22.12.2006 11:59:49
- Bydliště: Tady někde
- Kontaktovat uživatele:
Chimera - Chimera 1969 (Produced by Nick Mason, quest: Rick Wright )
(Pro informaci:
First ever release of this legendary masterpiece of late 60s UK ACID-FOLK rock psychedelia, recorded for the cult Morgan Blue Town label and produced by Pink Floyds Nick Mason who, together with Floyd keyboard player Rick Wright, also makes a appearance on the album. Also featuring SMOKE guitarist Mal Luker, ORANGE BICYCLE leader Will Malone and future Fleetwood Mac guitarist Rob Weston. Vinyl only release 1000 limited numbered on 190 gram audiophile vinyl.
Has stunning full color sleeve and insert with extensive liner notes, details and photos."
-Tenth Planet.
_________________
Chimera were basically two young girls Francesca Garnett and Lisa Bankoff accompanied by an ever changing line up of musicians (all of them good). The album presented here is mastered from a cassette tape (though you'd never know it to hear it) which was all that was left of these
sessions. A projected then abandoned album, the recordings ended up as a miscellaneous collection of sessions partly due to their label, Morgan Bluetown's, dithering which led to people leaving the group or becoming disinterested. Pink Floyd's Nick Mason produced all of these sessions and
Rick Wright plays harpsichord on 'Lady With The Bullets In Her Hair', the whole (and sometimes harrowing) story of which can be found in the liner notes and in more depth and context in Francesca and Lisa's self published book 'Making It: Famous Names And Silly Girls' (2002, see their website on www.chimeramakingit.com).
What we have as the musical legacy is a game of two halves. Half, or perhaps slightly more, of the songs are real vehicles for the girls voices (all the songs are originals). These are acid-folk of the very first order and any Mellow Candle fans for instance will want this
album and many of the numbers would have fitted deftly in to 'The Wicker Man' film soundtrack. Francesca and Lisa's voices on album opener, 'Come Into The Garden' suddenly emerge out of a swirling introduction and proceed to take off like two uncaged birds soaring towards the sun. Backed by busy drums, this mid paced number (as most of these numbers are and thus allowing both singers and musicians to stretch out) is a jaw dropper for anyone attuned to an acid-folk vibe.
It should be said that none of the songs on this album have a predictable or conventional pattern to them. They are beautifully syncopated affairs with interesting vocal patterns lilting bass lines etc., in fact 'progressive' in the very best sense of that often abused word, with rhythms rising seemingly from nowhere and winding back down again.
'The Grail' is brooding, full of foreboding and warning with great keyboards in an almost improvised rhythm, whilst 'Sad Song For Winter' is a beautiful solo vocal from Lisa accompanied by acoustic guitar and harpsichord which produces a surprisingly full sound for such spartan
instrumentation. 'Lady With The Bullets In Her Hair' features Rick Wright on harpsichord (or Spinet or some such) and is a beautiful pastoral and orchestrated number (Cellos, wood wind and a touch of brass) with acoustic guitar. Similarly 'Morning Sounds' takes us in the
same direction. 'Song In E' is also a beautiful light number featuring acoustic guitar and tablas with a dual female vocal, soft and flowing, a nice tune with good changes.
The other dimension of the album are those songs which feature the band more strongly. Most famously, or at least the track most widely heard by anyone that is part of this aspect is 'Peru' with its swooping, loping bass line and compulsively addictive rhythm. In similar style is 'Mary's Mystery' which has a phased guitar part and a long instrumental passage which rises to a crescendo. The band dominated numbers can best be described as Fairport Convention meets Little Feet as they have a blend of blues-funk and folk rock in them. Both 'Black Hat Babe' and 'Episode At Telegraph Hill' (which also includes some John Mayall-like guitar work lacing its way throughout the number) are other examples of this style.
All songs on this album are instrumentally very strong and seem to go out of their way to find counter rhythms rather than plump for the obvious, both instrumentally and vocally. The whole project was far more worthy than the way it got treated, and it is a pleasure to have it here
now. I could listen to this all day and still want more. It is slated for release on CD by Sanctuary who own the Morgan Bluetown catalogue as well, and if there is even just one extra track not on the LP, I'll be bagging that as well! Acid-folkers, dreamers and seekers after musical cerebral accompaniment should all tap into Chimera, this albeit posthumous release deserves a much wider audience.)
)(Pro informaci:
First ever release of this legendary masterpiece of late 60s UK ACID-FOLK rock psychedelia, recorded for the cult Morgan Blue Town label and produced by Pink Floyds Nick Mason who, together with Floyd keyboard player Rick Wright, also makes a appearance on the album. Also featuring SMOKE guitarist Mal Luker, ORANGE BICYCLE leader Will Malone and future Fleetwood Mac guitarist Rob Weston. Vinyl only release 1000 limited numbered on 190 gram audiophile vinyl.
Has stunning full color sleeve and insert with extensive liner notes, details and photos."
-Tenth Planet.
_________________
Chimera were basically two young girls Francesca Garnett and Lisa Bankoff accompanied by an ever changing line up of musicians (all of them good). The album presented here is mastered from a cassette tape (though you'd never know it to hear it) which was all that was left of these
sessions. A projected then abandoned album, the recordings ended up as a miscellaneous collection of sessions partly due to their label, Morgan Bluetown's, dithering which led to people leaving the group or becoming disinterested. Pink Floyd's Nick Mason produced all of these sessions and
Rick Wright plays harpsichord on 'Lady With The Bullets In Her Hair', the whole (and sometimes harrowing) story of which can be found in the liner notes and in more depth and context in Francesca and Lisa's self published book 'Making It: Famous Names And Silly Girls' (2002, see their website on www.chimeramakingit.com).
What we have as the musical legacy is a game of two halves. Half, or perhaps slightly more, of the songs are real vehicles for the girls voices (all the songs are originals). These are acid-folk of the very first order and any Mellow Candle fans for instance will want this
album and many of the numbers would have fitted deftly in to 'The Wicker Man' film soundtrack. Francesca and Lisa's voices on album opener, 'Come Into The Garden' suddenly emerge out of a swirling introduction and proceed to take off like two uncaged birds soaring towards the sun. Backed by busy drums, this mid paced number (as most of these numbers are and thus allowing both singers and musicians to stretch out) is a jaw dropper for anyone attuned to an acid-folk vibe.
It should be said that none of the songs on this album have a predictable or conventional pattern to them. They are beautifully syncopated affairs with interesting vocal patterns lilting bass lines etc., in fact 'progressive' in the very best sense of that often abused word, with rhythms rising seemingly from nowhere and winding back down again.
'The Grail' is brooding, full of foreboding and warning with great keyboards in an almost improvised rhythm, whilst 'Sad Song For Winter' is a beautiful solo vocal from Lisa accompanied by acoustic guitar and harpsichord which produces a surprisingly full sound for such spartan
instrumentation. 'Lady With The Bullets In Her Hair' features Rick Wright on harpsichord (or Spinet or some such) and is a beautiful pastoral and orchestrated number (Cellos, wood wind and a touch of brass) with acoustic guitar. Similarly 'Morning Sounds' takes us in the
same direction. 'Song In E' is also a beautiful light number featuring acoustic guitar and tablas with a dual female vocal, soft and flowing, a nice tune with good changes.
The other dimension of the album are those songs which feature the band more strongly. Most famously, or at least the track most widely heard by anyone that is part of this aspect is 'Peru' with its swooping, loping bass line and compulsively addictive rhythm. In similar style is 'Mary's Mystery' which has a phased guitar part and a long instrumental passage which rises to a crescendo. The band dominated numbers can best be described as Fairport Convention meets Little Feet as they have a blend of blues-funk and folk rock in them. Both 'Black Hat Babe' and 'Episode At Telegraph Hill' (which also includes some John Mayall-like guitar work lacing its way throughout the number) are other examples of this style.
All songs on this album are instrumentally very strong and seem to go out of their way to find counter rhythms rather than plump for the obvious, both instrumentally and vocally. The whole project was far more worthy than the way it got treated, and it is a pleasure to have it here
now. I could listen to this all day and still want more. It is slated for release on CD by Sanctuary who own the Morgan Bluetown catalogue as well, and if there is even just one extra track not on the LP, I'll be bagging that as well! Acid-folkers, dreamers and seekers after musical cerebral accompaniment should all tap into Chimera, this albeit posthumous release deserves a much wider audience.)
Tolik slz. Chladná. Miluji tě i nenávidím.
Nadřazenost i svoboda. Turistika i drancování.
Deutschland nad námi všemi! Je to štěstí nebo prokletí?
Deutschland! Jste zapomnění nebo je to požehnání?
(Rammstein, Deutschland, Radio Tapok – cover)
Nadřazenost i svoboda. Turistika i drancování.
Deutschland nad námi všemi! Je to štěstí nebo prokletí?
Deutschland! Jste zapomnění nebo je to požehnání?
(Rammstein, Deutschland, Radio Tapok – cover)
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proti
- piper
- Příspěvky: 1985
- Registrován: 22.12.2006 11:59:49
- Bydliště: Tady někde
- Kontaktovat uživatele:
Dekuji osudu, ze druh tehle hudby neni mim salkem cajeFredy_Brown píše:Del Tha Funkee Homosapien - Time Is Too Expensive
(od tohole člověka doporučuju snad všechno, na čem se kdy podílel, především potom projekt Deltron 3030)
(jemne receno...)
Tolik slz. Chladná. Miluji tě i nenávidím.
Nadřazenost i svoboda. Turistika i drancování.
Deutschland nad námi všemi! Je to štěstí nebo prokletí?
Deutschland! Jste zapomnění nebo je to požehnání?
(Rammstein, Deutschland, Radio Tapok – cover)
Nadřazenost i svoboda. Turistika i drancování.
Deutschland nad námi všemi! Je to štěstí nebo prokletí?
Deutschland! Jste zapomnění nebo je to požehnání?
(Rammstein, Deutschland, Radio Tapok – cover)
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Fredy_Brown
- raver
- Příspěvky: 93
- Registrován: 21.02.2007 14:49:08